Snap Happy – Images of Community

 

b99f9527-6449-4d4c-bd86-453cbdf02aec
Blue things on the school run. Poppy, Ethan and Jaida (aged 7)

Followers of our blog might recall that, last year, Jenni and Natasha took part in the 64 Million Artists January Challenge. Well, we’re embarking on it again this year and we thought it would be interesting to reflect at the end of each week on our experiences and try to relate our activities to the world of learning and teaching. Here, Natasha reflects on the first week…

 

 

So, the first week has passed and already we’re awash with creativity. The first few days were a struggle for me because I had tonsillitis. I managed to design the front page of a newspaper and to draw the view from my window. I’ve still not got round to building a tower, but that is fine because there are no fixed deadlines (well, end of January I suppose). I find it interesting that I have every intention of going back and catching up – I am not sure my students would be so enthusiastic about a missed seminar task! My assiduousness, I think, is partly down to a curiosity about the learning gain (what will I discover?), and partly because I am invested in the challenge commitment (I can’t miss a day!).

90e69b1e-1683-4416-b4d9-65772627359d
Sheffield shades of blue

My momentum finally got going on Day 4 with a challenge to photograph and share things which are different shades of blue. I enjoyed checking in to twitter throughout the day to see other people’s collages. What really struck me about this challenge though, was the way in which it brought together the virtual and real worlds. On the afternoon school run, I told the children what I was doing ( I had to explain why I was snapping a tatty old chip fork!); before I knew it a whole bunch of adults and children were pointing at objects and shouting ‘BLUE!’ and ‘Put mine on twitter!’. It was a very striking example of how an activity can capture the imagination of a group and result in a collaborative mission to collect and produce.  And if that weren’t satisfying enough, imagine the delight when a 7 year old, completely unprompted, excitedly reflected on how we so often go about our lives without noticing things. This was, of course, the point of the whole exercise and provided a powerful moment of shared reflection to everyone gathered around the phone.

New in the January challenge this year is ‘Collaborative Friday’ – a weekly task which can be completed in groups. The first was a game of ‘alphabet photo tag’ which required team members to work their way through the alphabet posting images and tagging others*.  Unsurprisingly, we immediately magnetised to form our own group, but it was so nice that several other people – strangers – were keen to join us to make a wider community. As the day progressed, our identities started to emerge; we playfully mocked ourselves, glimpsed into people’s workspaces, enjoyed sharing what we ate/drank. Without actually meeting or asking direct questions, we learned an enormous amount about each other and, I think, built bonds. At the end, we were proud of what we had achieved and looked forward to working together again.

So, what was it about these two tasks, in particular, that have engaged me in week one? Well, they both involved the use of images and I think that is important for giving learners confidence. Images allow us to explore, analyse, test and communicate ideas and there is massive potential for using imagery in teaching, even in the most unlikely of subjects. Another aspect, I am sure, is that these tasks were easy to complete with a smart phone; the fact that I could seamlessly integrate the tasks into my day was convenient but also empowering (no guilt!). But the biggest thing I will take away from this week is the power of the learning that takes place when you are involved in creating, sharing and co-producing – whether this is in the real or virtual world, part of a game or just something I do on my own. Feeling you are part of a community is energising and gives you the motivation to actively participate, interact and reflect on events; isn’t this the holy grail of teaching in higher education?

*Amusingly, the technicalities of the ‘tag’ game escaped our attention and we launched instead into a free-for-all game of ‘splatter’.  Our teammates were very generous in tolerating our complete disregard for order and rules.

Feeling inspired? It’s not too late to join. Sign up here if you want to get challenging! Follow the daily conversation on twitter #64millionartists .

Post Script:  Day 5 was poetry. I disliked it. I got on and did it. I think I passed (just). I got a bit of gentle (sympathetic) feedback. I am not sure I learned anything. Let’s move on. (thinks: how often do students feel like this about an assessment? Might come back to this…)

 

 

Do, think, share #64millionartists

Junk modelling
Junk modelling

New Year’s Day. The day when everyone makes those resolutions to start dieting, take up more exercise and just generally be a ‘better’ person. Years ago I stopped making those resolutions because I knew, in my heart of hearts, that I would never keep them.

So why was this year any different?

Searching on Twitter (I know!) for ideas about the role of creativity in learning and teaching, I came across the account for 64 Million Artists and decided in  a mad moment to sign-up for their January Challenge. Still haven’t really unpacked what prompted that impulse, but I’m glad that I did.

Put simply, you get an email to your mailbox every day throughout January outlining a different creative challenge. You do, then think, then share.

Over the month I have, amongst other things, compiled a picture of the year ahead,  made a junk sculpture, danced myself silly (nothing new there!), documented my day through taking a photo every hour (goodness my life is boring!), carried out a random act of kindness and, written a story a line at a time in partnership with fellow Lacunae blogger, Natasha.

I won’t claim to have completed all the challenges.  But I had a go at most of them. You can see my responses to the challenges, and those of many others, on Twitter via #64millionartists.

So what did I take away from this experience, and how is it relevant to learning and teaching?

Do

Talking to my 8-year old self.
Talking to my 8-year old self.

It’s amazing how much time you can spend thinking and writing about creativity, and yet not actually do any creative activity beyond the thinking and writing.. I think this can be a real issue when working as an academic developer. I have certainly spent more time showing people how to make rich pictures and explaining the theory behind them than I have ever spent doing them myself.

Putting aside 20 minutes a day to complete the challenge, and allowing myself some more time if I was enjoying the activity, was a real treat.  And I did feel like I had achieved something everyday. I don’t consider myself to be any good at certain types of creative activities but I am quite competitive, so turn the activity into a challenge and I’ll give it a go!

I think this points to the first take away message from this challenge. Having a go was what mattered. And having someone else telling me what it was I had to have a go at gave me permission to not be very good at it.

As teachers do we give ourselves time to do something each day (or even each week!) that we might not be very good at? By this I don’t mean the ‘worthy’ activity of identifying areas for CPD and working on them. I mean just having a go at something where the outcome itself is of little consequence. Given we are all so time poor, it isn’t surprising if we don’t. But perhaps we should.The actual ‘doing’ bit of the tasks, which in many cases involved very tactile experiences, felt very satisfying. This was definitely more about process than outcome.

And it is that focus on process that might make this a very useful learning tool when students can be so very focused on outcome. It’s difficult to introduce tasks into learning and teaching that aren’t directly related to the context of their desired outcomes (their qualifications) – “If it doesn’t count towards their grade, they won’t do it”. And because of this we do take the time and effort to try and contextualise activities that don’t involve direct scored assessment by explaining how they might help them do better in that type of assessment. Once again we drag their thinking back to outcome rather than process.

But what if we didn’t try and do this contextualisation? What if we just provided a short, sharp bit of creative ‘doing’ each day? Would they do it? They might if it were fun!

But why would we, as teachers, bother?

Think

Memories of summer
Memories of summer

Now you don’t need me to reiterate here all the arguments about the role of reflection in and on learning – hopefully we can all agree that this is a ‘good thing’. But it is not always easy to get students to engage in reflection in a consistent and constructive way. In order to somehow structure the activity we provide templates or series of questions that require a response.

Perhaps we should think about how we can use a much more ‘free association’ approach (going all Freudian!) to encouraging the development of these particular academic muscles. The prompts given by the 64 million artists team were What was it like? Did you enjoy the experience? Did it feel difficult?

The qualitative researcher in me baulks at the inclusion of some closed questions as a prompt for reflection, but actually I found they worked well. When short of time or feeling a little alienated by any of the activities, I could respond quite simply no/yes, but often I found that afterwards the question of ‘why that response?’ spent time percolating through my thought processes. Sometimes even eliciting more sophisticated responses! At other times I felt I could just stick with the no/yes response with no need to justify my response in any way.

Might students, especially those only just beginning to shape their academic identities, find this a more engaging prospect when compared to the more directed reflection we tend to offer them?

Share

Instructions to an alien. How to mend a broken heart.
Instructions to an alien. How to mend a broken heart.

Sharing your thoughts and reflections – always a ‘deep- breath’ moment! The focus here was on sharing the feelings and thoughts about doing the activity rather than sharing whatever you had produced. Again, process rather than output. Lots of people did share what they had produced, however, and I found that sharing very affecting.

You could share via a project space on the 64 million artists website, or via social media. Mostly I engaged via Twitter, and as the month progressed I felt a real sense of community developing.

I have been reading and thinking a lot recently about student self-efficacy and resilience. And I keep returning to a piece of work that Simon Cassidy wrote about on the HEA learning and teaching blog. Specifically, the issue that students who are more resilient for themselves also have the potential to support the development of other students’ self-efficacy and, as a result, their resilience. As Simon points out, this has encouraging implications for peer-led learning and mentoring.

Again, there is a tendency to formalise this type of learning and mentoring, but is there space for a much more fluid engagement in a learning community? One of the things that struck me about the January Challengers that shared via Twitter was just what a diverse bunch we were. In most instances the only connection was participating in the challenge, but that connection still enabled learning from each other, and a supportive and encouraging space.

One aspect I include in workshops I facilitate that focus on providing learning and teaching beyond time and space is the need to provide opportunities for learners, who may never meet face-to-face, to create a social space for peer-support. In my work as  a tutor with the Open University that space was a ‘Cafe’ forum within the module space on the VLE.

Interestingly, during the rounds of introductions that characterise the beginning of the module students seem to want to be able to situate each other both in terms of space and time. Contributions usually started with “Hello my name is xxx and I live in xxx”. Subsequent discussions – discussions where people were continually presenting and (re)presenting their identities – usually included some elements relating to the the contexts in which they were attempting to study.

But these spaces, confined as they were within the VLE and linked to specific modules, were formally informal! Is there the potential for students to come together around a theme like creativity and an aim like completing the challenges to develop a learning space that encourages peer learning and support? Would that space be the richer for having students from different disciplines and at different stages of their academic careers contributing?

More questions than answers there! I’d love to hear your thoughts – or to hear about any similar strategies you already have in place.

So, the January Challenge is done and dusted, but I have signed up for the Friday Challenge – a creative challenge sent to your email box every Friday. Why not join up and join in? http://64millionartists.com/pledge/